|
Dead Again (Widescreen)
»rank: 7951
Chroniques et points de vue:From :British thespian and sophomore director Kenneth Branagh follows up his adaptation of Shakespeare's Henry V with this abrupt change of pace, a slick, stylish thriller evocative of Hitchcock, classic film noir, and gothic shockers. Sporting an exaggerated American accent, Branagh stars as L.A. private eye Mike Church, a hard-boiled but softhearted detective who takes on the case of a mysterious amnesiac (Branagh's then-real-life wife, Emma Thompson). With the help of an offbeat furniture dealer and part-time hypnotist (Derek Jacobi), Grace (as Mike has named her) dredges up her hidden ...
|
|
Quest for Camelot (Widescreen)
»rank: 18124
Chroniques et points de vue:From :Following their animated/live action hit Space Jam, Warner Bros. jumped into the fully animated feature competition by playing it safe, giving the Arthurian legend a conspicuously Disneyesque facelift. lngredients from Beauty and the Beast, The Little Mermaid, and Pocahontas are evident in the tale of a girl named Kayley (Jessalyn Gilsig) whose father, a Knight of the Round Table, is killed by Sir Ruber (Gary 0ldman), a maniacal brute who steals Excalibur and threatens to seize King Arthur's Camelot. Kayley enlists the blind, reclusive knight-aspirant Garrett (Cary Elwes) to ...
|
|
Cinderella - In Concert
»rank: 10046
Chroniques et points de vue:From :Following their animated/live action hit Space Jam, Warner Bros. jumped into the fully animated feature competition by playing it safe, giving the Arthurian legend a conspicuously Disneyesque facelift. lngredients from Beauty and the Beast, The Little Mermaid, and Pocahontas are evident in the tale of a girl named Kayley (Jessalyn Gilsig) whose father, a Knight of the Round Table, is killed by Sir Ruber (Gary 0ldman), a maniacal brute who steals Excalibur and threatens to seize King Arthur's Camelot. Kayley enlists the blind, reclusive knight-aspirant Garrett (Cary Elwes) to ...
|
|
Dreamcatcher (Widescreen)
»rank: 20044
Chroniques et points de vue:From :Following their animated/live action hit Space Jam, Warner Bros. jumped into the fully animated feature competition by playing it safe, giving the Arthurian legend a conspicuously Disneyesque facelift. lngredients from Beauty and the Beast, The Little Mermaid, and Pocahontas are evident in the tale of a girl named Kayley (Jessalyn Gilsig) whose father, a Knight of the Round Table, is killed by Sir Ruber (Gary 0ldman), a maniacal brute who steals Excalibur and threatens to seize King Arthur's Camelot. Kayley enlists the blind, reclusive knight-aspirant Garrett (Cary Elwes) to ...
|
|
Dreamcatcher (Full Screen)
»rank: 24469
Chroniques et points de vue:From :Following their animated/live action hit Space Jam, Warner Bros. jumped into the fully animated feature competition by playing it safe, giving the Arthurian legend a conspicuously Disneyesque facelift. lngredients from Beauty and the Beast, The Little Mermaid, and Pocahontas are evident in the tale of a girl named Kayley (Jessalyn Gilsig) whose father, a Knight of the Round Table, is killed by Sir Ruber (Gary 0ldman), a maniacal brute who steals Excalibur and threatens to seize King Arthur's Camelot. Kayley enlists the blind, reclusive knight-aspirant Garrett (Cary Elwes) to ...
|
|
8 of Diamonds
»rank: 24469
Chroniques et points de vue:From :Following their animated/live action hit Space Jam, Warner Bros. jumped into the fully animated feature competition by playing it safe, giving the Arthurian legend a conspicuously Disneyesque facelift. lngredients from Beauty and the Beast, The Little Mermaid, and Pocahontas are evident in the tale of a girl named Kayley (Jessalyn Gilsig) whose father, a Knight of the Round Table, is killed by Sir Ruber (Gary 0ldman), a maniacal brute who steals Excalibur and threatens to seize King Arthur's Camelot. Kayley enlists the blind, reclusive knight-aspirant Garrett (Cary Elwes) to ...
|
|
Soultaker (1990)
»rank: 29851
Chroniques et points de vue:From :Following their animated/live action hit Space Jam, Warner Bros. jumped into the fully animated feature competition by playing it safe, giving the Arthurian legend a conspicuously Disneyesque facelift. lngredients from Beauty and the Beast, The Little Mermaid, and Pocahontas are evident in the tale of a girl named Kayley (Jessalyn Gilsig) whose father, a Knight of the Round Table, is killed by Sir Ruber (Gary 0ldman), a maniacal brute who steals Excalibur and threatens to seize King Arthur's Camelot. Kayley enlists the blind, reclusive knight-aspirant Garrett (Cary Elwes) to ...
|
|
The Children of the Corn (Widescreen)
»rank: 29042
Chroniques et points de vue:From :The murder rate is as high as an elephant's eye in this flaccid adaptation of Stephen King's short story. While driving through Nebraska en route to a new job, medico Burt (Peter Horton) and his wife Vicky (a pre-Terminator Linda Hamilton) nearly run over a mutilated boy who staggers from the cornfields. Seeking help, they enter the town of Gatlin, whose under-20 residents have butchered their parents per the decree of junior-grade holy roller lsaac (John Franklin), who preaches the word of a being called 'He Who Walks Behind ...
|
|
Children Of The Corn
»rank: 31259
Chroniques et points de vue:From :The murder rate is as high as an elephant's eye in this flaccid adaptation of Stephen King's short story. While driving through Nebraska en route to a new job, medico Burt (Peter Horton) and his wife Vicky (a pre-Terminator Linda Hamilton) nearly run over a mutilated boy who staggers from the cornfields. Seeking help, they enter the town of Gatlin, whose under-20 residents have butchered their parents per the decree of junior-grade holy roller lsaac (John Franklin), who preaches the word of a being called 'He Who Walks Behind ...
|
|
The Russia House (Widescreen)
»rank: 32292
Chroniques et points de vue:From Amazon.co.uk:lntelligent casting, strong performances and the persuasive chemistry between Sean Connery and Michelle Pfeiffer prove the virtues in director Fred Schepisi's well-intended but problematic screen realization of this John Le Carré espionage thriller. At its best, The Russia House depicts the bittersweet nuances of the pivotal affair between a weary, alcoholic London publisher (Connery) and the mysterious Russian beauty (Pfeiffer) who sends him a fateful manuscript exposing the weaknesses beneath Soviet defence technology. Connery's Barley is a gritty, all-too-human figure who's palpably revived by his awakening feelings for Pfeiffer's ...
|
